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Shrinath ji
silent still beautiful and watching you
Divine Companionship
This painting started with a feeling of being together. The kind of presence where nothing needs to be said, but everything is understood.
As I worked on it, the details slowly found their place. The flute, the trees, the cow… they all came in gently, almost like they belonged there already. For me, this piece is about connection that feels real and grounded. A sense of warmth, devotion, and balance that stays with you.
As I worked on it, the details slowly found their place. The flute, the trees, the cow… they all came in gently, almost like they belonged there already. For me, this piece is about connection that feels real and grounded. A sense of warmth, devotion, and balance that stays with you.
Quite within
This painting came from a phase where I was trying to sit with myself a little longer.
The face almost painted itself slowly. I kept the eyes closed because it felt right… like everything important was happening inside. The blue tones came naturally, layer by layer, each one softening the other. I did not want sharpness here, I wanted a feeling that settles.
The lotus at the base felt like a beginning. Something growing, opening in its own time. While painting this, I found myself slowing down without even realizing it. And I think that stayed in the work.
The face almost painted itself slowly. I kept the eyes closed because it felt right… like everything important was happening inside. The blue tones came naturally, layer by layer, each one softening the other. I did not want sharpness here, I wanted a feeling that settles.
The lotus at the base felt like a beginning. Something growing, opening in its own time. While painting this, I found myself slowing down without even realizing it. And I think that stayed in the work.
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